Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
"Rivers and Tides" (1998-2001)
"Rivers and Tides" (1998-2001)
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
"Rivers and Tides" (1998-2001)
"Rivers and Tides" (1998-2001)
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
O. Verf.. „Der Kinematograph im Dienste des Heeres.“ Der Kinematograph 401 (1914): 3-4. Artikel über die Möglichkeiten, Filmtechnik militärisch nutzbar zu machen. Der Film sei nicht nur zu Zwec...
Daily production report No. 8, 19 October 1961 on the shooting "Auf Wiedersehn".
Synopsis of "Liebe" (Working title: "Vor Rehen wird gewarnt").
Daily production report No. 26, 18 May 1956 on the shooting of "Der erste Frühlingstag".
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".