Documentario dedicato al poeta e scrittore Aldo Palazzeschi. Una voce fuori campo recita alcune poesie di Palazzeschi mentre alcuni mimi si muovono su un palco. Attraverso foto d'epoca (tra cui ...
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
Nel quartiere romano di San Lorenzo (compreso fra Porta Tiburtina e Viale dello Scalo San Lorenzo) si trovano la Basilica di San Lorenzo fuori le mura e il Cimitero del Verano: a metà Ottocento...
The first Norwegian film with international ambitions, Thin Ice is a story of young love, corporate ambition, and a daring nighttime caper. Tom, a strapping young student, gets his dream job as an adv...
Nella storia dell'Italia unita, accanto all'iconografia ufficiale che documenta la vita politica e sociale del Paese, è fiorita nei quotidiani politici, nei periodici umoristici e in opuscoli u...
Il film, diviso in 6 capitoli, racconta i principali eventi della vicenda di Attila, dal fratricidio che gli permette, eliminando Bleda, il fratello buono di porsi alla testa degli Unni, alle su...
Napoleon is called up to the army, and says goodbye to Sally, and to the people in the film studio. He leaves. But Sally quickly chases after him, and together they arrive at "Fort Skiddoo". The chaot...
Szene aus "Raskolnikow"
Filmplakat
Leonard Bruckmann, Sophie Conrad
Filmplakat
Katja Studt, Jürgen Vogel
German movie poster of "Soweit das Auge reicht" (1979/80)
4. Episode: Ten Minutes After
Still from "Der Weg ins Licht"
British soldiers are engaged in a fire-fight at close range with Boers on high ground above them. One of the Boers gets close enough to a British soldier to touch him before falling hit. The Boer asks...
Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
Report on the returning of the King and Queen of Belgium on 22 November 1918.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.
Notes on the censorship of all films depicting themes related with WWI.
Reproduction of a law act of 1917 establishing to prior censorship of films related with WWI.
Commentary on the film and its subject matter (the tribute to Unknown Soldiers lost in World War I).