The formal ceremony takes place at the general's headquarters. He pins decorations on the standards of seven regiments, including that of 21st Battalion, Chasseurs (?). In Châlons, close to the headq...
Men of XXXIV Corps on a German railway line through the Bois de Loges captured intact on 12th August along with a derailed goods train and a dump of shells, mainly 77mm calibre. German prisoners, some...
Some of the troops line a trench, others a sunken road. Engineers of 3rd (Marne) Division build a light bridge over the river. Transport crosses a stone bridge as the sappers continue to repair it. A ...
The general area of Ypres. Filmed from just outside the town itself, shells falling on buildings on the outskirts. Two Mark V tanks, one Male, one Female, both carrying soldiers, move over open countr...
The town is shown from a distance, then in close-up. The suburbs are burnt out and deserted. The main square is relatively undamaged. The collegiate church and the Church of Saint Martin show consider...
The canals running through the town are undamaged but the main girder bridge has been brought down. British soldiers of II Corps wait in the main square.Civilians watch while the British, of 40th Divi...
The map, in stop-frame action, shows the German invasion of France and Belgium in 1914, followed by a more detailed version of the Allied advance to victory between July and November 1918. The Allied ...
The body of Marshal Foch lies in state at the Invalides. King Albert of Belgium and then a crowd of people file past to pay their last respects. For the procession the streets are lined with soldiers....
Still from "Der Herzog von Reichstadt"
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Rennert, Malwine. „Im Reich der Mütter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 267-269. Rennert führt das Versagen des Kinos als Erziehungsmitt...
L. Hamburger, Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 119. Die neu entstandene Gattung des Kriegsfilms zeichne sich durch übelsten Kitsch ...
O.Th. Stein, Kinematographische Kriegsberichterstattung, Film und Lichtbild, 3, (1914), S. 42-44. Der Film wird als sensationell bewertet, der Produzentenfirma Expreß-Films wird angeraten, diesen Weg...
Asta-Nielsen-Lichtspiele GmbH. „Bismarck. Die neuesten Aufnahmen aus den Kriegstagen.“ Der Kinematograph 400 (1914): 1. Werbung, mit dem Hinweis, dass der Stoff des Filmes den ernsten Kriegstagen ...