A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
The battalion (no clear view) marches past the sovereigns. King George wears his Field Marshal's uniform and King Albert his uniform as Colonel of the British 5th Dragoon Guards. A bouquet is presente...
Manufacture of components for Black and Decker tools. [Incomplete]
Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
Natasja Juul in "Near and Elsewhere" (2018)
Episode: Das Ritual
Szene aus "Noise and Resistance"
Christobal Farais, Rifka Lodeizen in"Messi and Maud" (2017)
"Above and Below" (2012-14)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Losers and Winners"
"Above and Below" (2012-14)
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.