Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Hilde Krahl in "Großstadtmelodie", 1943 ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
Ilse Werner in "Große Freitheit Nr. 7", 1944 ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
Ilse Werner in "Große Freitheit Nr. 7", 1944 ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
Marianne Hoppe in "Auf Wiedersehen, Franziska!", 1941 ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
Monika Burg (on the right) in "Zwei in einer großen Stadt", 1942 ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
Paul Kemp, Oskar Sima (picture in the middle, from the left), Irene von Meyendorff ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
"Unter den Brücken", 1945 ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
Ingrid Bergman in "Die vier Gesellen", 1938 ("Hitlers Hollywood - Das deutsche Kino im Zeitalter der Propaganda 1933-45", 2016/17)
O. Verf.. "Kino-Kritik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 68-69. Obwohl immer wieder Forderungen nach der Hebung des Niveaus im Kino laut würden, ...
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...