The film forms a contrast to the number of canting pictures or the silence existing round the period of the first six months after a child has been born. It takes up some of the problems that three di...
Before the revolution, it served as a regular prison for Batista's political adversaries. The patients confined there lived a life in incredible misery. We visited the hospital on a hot day in July 19...
So close to the source is the jumping dancing stream of colours that no forms or shapes can be captured. The thunder of creation is so loud, so strong, that the joy of movement foreshadow future possi...
It's a video installation; it's a long journey into a broom shrub. It's a trudging about in a broom shrub; the camera looks for the correct route. The edge lay on the camera's lens. Bees grow immensel...
Rasa kan pakke 12 poser salat på 4.5 sekunder. Hun er en 21-årig no-bullshit muslimsk tomboy, som bruger sin tid på at tage sig af sin nedslidte far og hænge ud med kollegerne fra salatfabrikken. ...
Popular although acidly satirical novelist Leif Panduro's last novel (1975) turned into broad-beamed family film fare: a circuit judge is saddled with a roaming wife; a drop-out son; a nasty girl-frie...
In part 7 "Die neuesten amerikanischen Modeschöpfungen für den Sport" (the brand new fashion creation for sports) the close-up of the girl in the bathing costume had to be removed.In Part 8 "Das Rei...
Following parts had to be removed:1) 3. act, title 11 the words "Bei Tage haben Sie keine Zeit, bei Nacht kann er nicht" (Daytimes you don´t have time, at night he is engaged)2) 4. act, title 199 the...
German movie poster of "The Farmer and I" (2013-16)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Sangay Rinchen, Irja von Bernstorff in "The Farmer and I" (2013-16)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Volker Michalowski, Veronica Ferres, Gael García Bernal (in the front from left to right) in "Salt and Fire" (2015/16)
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Synopsis of "Liebe" (Working title: "Vor Rehen wird gewarnt").
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...