Record of various activities involved in the running of Haddo Estate, including the maintenance of Haddo House, its outbuildings and the agricultural activities on the estate farmlands throughout the ...
Family scenes of the Gordon family, a scout camp at Haddo House, Aberdeenshire, and Lord Aberdeen greeting King George VI and family at Ballater station.
Ardrossan and Saltcoats theatrical amateur players are welcomed home by cheering crowds in Saltcoats. Shot of the David Belasco Cup won by the players.
First in a series of monthly film reviews of Scotland. Film reconstructs a bank robbery, looks at the Borzoi dog, shoe manufacture at Saxone in Kilmarnock, latest hairdressing styles and the "first s...
It is an articulated film comprised of three free-standing stories with a common theme: the attitude of the Greeks under the yoke of a foreign power. The Clock, the first story, is a comedy set on the...
A journey by train and boat from Perthshire to Skye.
Comedy drama about a man who goes to the pub after fighting with his wife and is knocked out in a fight. There is an ensuing dream sequence then a happy ending. [Part of the Edinburgh Cine and Video S...
Documentary examining womens' experience of leisure-time in the Edinburgh area.
Szene aus "Losers and Winners"
Filmplakat
"Messi and Maud" (2017)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Here and There"
Branislav Trifunovi?, David Thornton (v.l.n.r.)
Szene aus "Losers and Winners"
Szene aus "Noise and Resistance"
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Daily call sheet for 02 July 1958 for the shooting of "Der Czardas-König (Die Emmerich-Kalman-Story)".
Daily call sheet for 06 August 1958 for the shooting of "Der Stern von Santa Clara".
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
DIF
Julius Sternheim, Propaganda-und Aufklärungsfilme, Der Kinematograph, 592, (1918), S. 12-14. Propagandafilme müssten maßgeblich eine Botschaft verfolgen, was sie oftmals zwangsläufig langatmig mac...