On the staging and filming of a party on the allied armies in the WWI.
Napoleon is called up to the army, and says goodbye to Sally, and to the people in the film studio. He leaves. But Sally quickly chases after him, and together they arrive at "Fort Skiddoo". The chaot...
Between 28-30 December 1917, Padua suffered three air raids by Austrian aircraft. After the first, The Times of London reported:"December 29. : Yesterday evening at 9 p.m. enemy airmen, true to their...
Spanish writers and personalities devoted to their hobbies: reading, walking, painting or visiting a museum.
The film shows May Day parades and other arrangments under the auspices of the labour movement in Norway.
Documentary about the annual kermis and cattle-market in Anderlecht.
Shots of London's famous buildings during the First World War.
On board of a German battleship.
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
Immagini documentarie sul fronte della prima guerra mondiale: l'esercito italiano tra il Brenta e l'Adige; veduta del monte Pasubio e del Monte Cimone; si trasportano truppe e cannoni; in marcia...
On the staging and filming of a party on the allied armies in the WWI.
The film gives a vivid and lively picture of landscape, buildings, industry and everyday life in the small city of Sandefjord in the southern parts of Norway.
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
Dialogue list (excerpt) for "...und abends in die Scala".
Internal correspondence regarding "...und abends in die Scala".
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...