I. The Lord Mayor of London holding a Christmas raffle for children at Harrods store, London, December 1917. II. A volunteer battalion of the Bedfordshire Regiment marching past, probably at Bedford, ...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
King George V inspects Royal Marine cadets and officers of the Dover Patrol at Deal, 1917 (?).I. The King, in Field Marshal's uniform, with a number of Royal Marine officers also in khaki, inspects th...
Drill and musketry instruction. On sentry training British and French sentries together stop a staff car to check the occupants. Out in the country, the trainees cut brushwood for hurdles. They learn ...
A panorama of the city. Views of the main square taken from the area of Hellfire Corner. The Cloth Hall, most of it still intact. Exterior and interior scenes of the cathedral, showing the west door a...
The battlefield forms part of the British reserve line, and is still under intermittent German shellfire. The British assembly trenches, one with a very clean white cross "To An Unknown British Hero" ...
The marchers, in greatcoats and helmets, are very muddy. A considerably smarter marching column is passing the other way. The Newfoundlanders look as if they have just been taken out of the line, poss...
The show is of RFA horses and limbers being judged, a jumping contest, a view of the audience, which contains a large number of Italian as well as British officers, and more of the jumping.
Briti...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...