Men of the Royal Engineers, watched by three officers (one of them a colonel with a staff armband) assemble a Nissen hut, which is described as being "cool in summer and warm in winter" and as housing...
A nursing home behind the lines with Jules Copin, his wife and child, and two blind aunts, led by two nurses. Copin was a French soldier captured by the Germans in September 1914 who escaped and was h...
Australians parade in the open air in front of Birdwood, who stands with his staff at a table covered by a Union Jack. The soldiers approach and receive decorations. Other Australian troops at rest (p...
A very brief scene of a British soldier walking towards the camera carrying two live turkeys, Western Front, December 1917.
Haig, on horseback, with staff and lancer escort, accompanied by Major-General Sir Andrew Russell, the New Zealand divisional commander, inspects the division and takes the salute during the march pas...
(Reel 1) The arsenal entrance in Beresford Square, with the internal train taking the workers to various departments. Women and boys in the Tailors' Shop make gloves, felt "buttons" for 15-inch shells...
The townspeople and some British officers and NCOs watch as the members of the corps celebrate the Chinese New Year with a procession, including two 'Junks' carried by one man each, a tug of war, a gr...
Four members of a Chinese military mission to British GHQ are shown how to use their gas masks before setting off on a tour of the Western Front, November 1917.
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...