Men of the Royal Engineers, watched by three officers (one of them a colonel with a staff armband) assemble a Nissen hut, which is described as being "cool in summer and warm in winter" and as housing...
A nursing home behind the lines with Jules Copin, his wife and child, and two blind aunts, led by two nurses. Copin was a French soldier captured by the Germans in September 1914 who escaped and was h...
Australians parade in the open air in front of Birdwood, who stands with his staff at a table covered by a Union Jack. The soldiers approach and receive decorations. Other Australian troops at rest (p...
A very brief scene of a British soldier walking towards the camera carrying two live turkeys, Western Front, December 1917.
Haig, on horseback, with staff and lancer escort, accompanied by Major-General Sir Andrew Russell, the New Zealand divisional commander, inspects the division and takes the salute during the march pas...
(Reel 1) The arsenal entrance in Beresford Square, with the internal train taking the workers to various departments. Women and boys in the Tailors' Shop make gloves, felt "buttons" for 15-inch shells...
The townspeople and some British officers and NCOs watch as the members of the corps celebrate the Chinese New Year with a procession, including two 'Junks' carried by one man each, a tug of war, a gr...
Four members of a Chinese military mission to British GHQ are shown how to use their gas masks before setting off on a tour of the Western Front, November 1917.
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
Still from "Die rätselhafte Sphinx"
Szene aus "Der rote Baron"
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
Dr. Weiser, Der Ernemann-Kinox im Felde, Der Kinematograph, 438, (1915), S. 21. Bericht über die Eröffnung eines Feldkinos. Beigefügt ist ein Bild des Kinos mit seinen Besuchern. Der Verfasser kün...
Rennert, Malwine. „Im Reich der Mütter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 267-269. Rennert führt das Versagen des Kinos als Erziehungsmitt...
L. Hamburger, Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 119. Die neu entstandene Gattung des Kriegsfilms zeichne sich durch übelsten Kitsch ...
O.Th. Stein, Kinematographische Kriegsberichterstattung, Film und Lichtbild, 3, (1914), S. 42-44. Der Film wird als sensationell bewertet, der Produzentenfirma Expreß-Films wird angeraten, diesen Weg...
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...