Indian soldiers resting after a march. An Indian water-truck column refilling their trucks from a river using hosepipes and pumps. The construction of a sandbag observation tower, and British troops o...
British "Territorials" in winter clothes march along a road in Mesopotamia, followed by a unit of cyclists. Indian soldiers marching. A 1-pounder Vickers anti-aircraft gun on a rail flatcar at Kahm Ba...
A column of Ford light trucks carrying "supplies". (Compare with the same scene in IWM 68). Men of the Gurkha Rifles moving through an RFA park. Soldiers of 2nd Battalion, the Norfolk Regiment, wading...
Basra, showing 'The Strand', followed by people in the bazaar and by light canoes, 'ballams', on the river (both scenes probably acted). Genuine film of troops in barges being towed upriver by paddle ...
First, the seaplane carrier. A Short 184 seaplane is lifted from a seaplane carrier into the water and takes off. On return it is hoisted on board again. Then the launch from a capital ship. A Beardmo...
I. Sopwith 1-1/2 Strutter is flown off starboard echelon turret of an Indefatigable Class battle cruiser - an Invincible Class ship is visible in the background as the aircraft circles. After the laun...
(Reel 1) The troopship SS Barpeta brings a fresh contingent for the squadron into Karachi harbour. The men travel by train on to Ambala, where they get their first real view of India, including a hook...
(Reel 1) General Paraskevopoulos directs his country's forces in the River Struma valley, which includes the Rupel Pass, supported by fire from British 6-inch howitzers and French 155mm howitzers. The...
Szene mit Lyda Salmonova, Paul Wegener (3.v.l.)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der Diamantensucher"
Screenshot aus "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Szene aus "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot aus "Bilder aus der großen Schlacht. 5. Teil"
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...