Bringing food from overseas - aerial views of a convoy, escorting cruiser USS Birmingham, and an Astre-Torres type SS airship. Unloading supplies - grain ships discharge cargo into barges. India Line ...
Some of the film comes directly, including the captions, from IWM 17 NEW CRUSADERS. Most of the segments are of only a few seconds' duration. Most of the film is of ancient ruins like Babylon and Baal...
I. (Reel 1) Mainly unrelated scenes. A British 6-inch 26cwt (?) howitzer. Turkish prisoners being searched by British troops. A dressing station with Indian orderlies, a motor ambulance and a doctor p...
The cadets are encamped near the town. They form on their grassy 'parade ground'. They march past Major-General F C Heath-Caldwell, commanding South Eastern Area of the RAF. The film jumps to their at...
The material was mainly used in the WITH THE FORCES IN MESOPOTAMIA series. It opens with two Holt tractors of 13th Indian Division hauling a 6-inch 30cwt (?) howitzer across the Narim River at Narim K...
A Short 184 some distance away from the camera comes in to land, then takes off. A PV5 seaplane taxies through the harbour, increasing speed to keep ahead of the camera boat. A Short 184 taxies around...
(Reel 1) The crew of airship SSZ28 prepares for a flight. As they wait, seated in the open gondola, they are handed a basket of carrier pigeons, the pilot is given his charts and orders, and an armour...
I (Reel 1) The opening is filmed from the river. First, Ezra's Tomb, a landmark at Qurna, about 200 km down river from Kut, followed by Qurna itself. The boat continues downstream, passing several sma...
Szene mit Lyda Salmonova, Paul Wegener (3.v.l.)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der Diamantensucher"
Screenshot aus "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Szene aus "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot aus "Bilder aus der großen Schlacht. 5. Teil"
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...