Just outside the old city walls of Rome, we find a mass of washed-out houses and bumpy streets arranged in a geometrical pattern that makes them anonymous and depersonalized. The documentary fil...
The first Norwegian film with international ambitions, Thin Ice is a story of young love, corporate ambition, and a daring nighttime caper. Tom, a strapping young student, gets his dream job as an adv...
Between 28-30 December 1917, Padua suffered three air raids by Austrian aircraft. After the first, The Times of London reported:"December 29. : Yesterday evening at 9 p.m. enemy airmen, true to their...
On the staging and filming of a party on the allied armies in the WWI.
From 1891 to 1945, a popular form of iconography thrived next to the official one documenting Italy’s political and social life. This alternative iconography can be found in humorous and satir...
Barbarians outside: yesterday as today. Who have centuries of civilization gone by for? Not even appearance has altered the Norman in his barbarism. This great work from the Ambrosio hotbed admi...
French language version of a newsreel item on British troops sitting and eating bread and jam "with proverbial coolness", Western Front, May 1918.
"King And President - The King of the Belgians and President Poincaré leaving Furnes after an inspection of the French Cavalry in the market square".
Maciej Sykala, Justyna Bartoszewicz in "Worst Case Scenario" (2012-14)
"Orania" (2012)
Else Elster, Georg Alexander, Julia Serda (v.l.n.r.)
Ilse Werner
Still with Bernd Aldor, Eva Speyer (on the riight)
Karoline Herfurth, Ken Duken
Gottfried John, Barbara Sukowa ("Berlin Alexanderplatz" Teil 1-14)
Tadhg Murphy in "Lost in the Living" (2018)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.
Russian melodrama about the heroic deeds of a woman during the First World War.