The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
The American Committee's health department brings the medical authorities' and parliamentary circles' attention to the state of children's public health in the disaster-stricken Aisne region. Seventee...
SPCA inspects farm and transport of livestock, and shows the care of both working animals and pets. Also outlines SPCA's role in rehoming animals, and in educating children about pet care.
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
A tour through various exhibitions in the Kelvingrove Art Gallery and Museum.
"Above and Below" (2012-14)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
"And-Ek Ghes..." (2015/16)
Michael Shannon, Veronica Ferres in "Salt and Fire" (2015/16)
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.