Laurel and Hardy visit Edinburgh in 1932, arriving at Waverley Station, going to the North British Hotel and finally, visiting the Castle.
A comedic tale set in the garden of the Thoms' family house, on a summer's day. A group of boys playing in the garden get into trouble with a pernickety neighbour but later redeem themselves by spott...
Sponsored by Glasgow Corporation Education Committee, this educational film introduces the chief tools used by the carpenter.
Tour of the Highlands and Islands in the late 1920s and early 1930s. Scenes include farming, fishing, mountain climbing, ships, and a brief shot of the 'talkies' being installed at Balmoral.
Overview of journey from Glasgow city centre to Rothesay and Largs on passenger steamer circa 1935.
Overview of twenty one ante and post natal exercises through the combination of detailed intertitles and physical demonstration. Filming takes place at Rottenrow Maternity and Women's Hospital as wel...
A documentary, narrated and directed by Sean Connery, on the turbulent industrial relations of the workforce of Fairfield's shipyard on the Clyde during the mid 1960s.
Television documentary from the mid 1960s about the redevelopment of Dundee: new houses, destruction of slums, the building of the Tay Road Bridge, growth of shops and industry.
Steve Coogan (front) in "Shepherds and Butchers" (2015/16)
"Above and Below" (2012-14)
Szene aus "Here and There"
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.