Steel making processes at Glengarnock Iron and Steel works.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
The sculptor Benno Schotz at work in his studio in Glasgow, and demonstrating his technique. The film examines his working methods and the themes running through his work. Much of his work is as a m...
A football match between Elgin City and an unidentified team, and the Inspection and Presentation of Colours of the Boys' Brigade (Inverness Battalion).
Various scenes of the village of Colinton from the early 1940s through to the mid 1950s.
Family Christmas from the mid 1960s.
A history of the Forth and Clyde Canal.
"Above and Below" (2012-14)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
"And-Ek Ghes..." (2015/16)
Michael Shannon, Veronica Ferres in "Salt and Fire" (2015/16)
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Hellwig, Albert. „Müller-Sanders: Die Kinematographenzensur in Preußen. Heidelberger Dissertation 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 144-14...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...