The wedding of Jock Lyon and Lorna Duncan at Greyfriars Church, Dumfries, February 23rd 1928.
Family home life.
Film sponsored by Esso following the Scottish Rally of 1976. The rally begins in Ayrshire and takes in the Highlands. Interviews with various drivers at the roadside and after each stage is completed...
A family holiday around Firth of Clyde and beyond on various boats. Includes a trip to Belfast and a trip 'Doon The Watter' on the Waverley.
Trip from Oban to Staffa and Iona, visiting the tourist sites. [Accompanied by voiceover and classical music]
Family home movies including footage of daily life around Glasgow city centre, the Barras market, the West End and the new Clyde Tunnel.
Amateur cine film featuring days out around the east coast and borders of Scotland in the 1970s. Includes footage of a canal trip on the 'Queen of the Borders', a day at Edinburgh Zoo, train rides a...
An amateur film compilation around the Borders. Includes footage of a visit to Duns by The Moderator of the General Assembly of the Church of Scotland the Rt. Rev Dr. James A. Simpson, a 250th annive...
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Maggie Peren, Ken Duken (v.l.n.r.)
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.