The King and Queen, in an open landau, drive out of the gates of Buckingham Palace. Their escort is composed of mounted troops of all the Imperial forces: British, Indian and Australian horsemen leadi...
The men are in civilian clothes but march in formation and carry staves or other weapons. The captions say that these "misguided" men should be fighting for the British in the war for civilisation, an...
The King is escorted round the base by RAF officers. A groundcrew party hauls down a barrage balloon as he watches. Two other barrage balloons are seen floating side by side in the sky. The King leave...
At Rouen the King poses for a group photograph with Field Marshal Haig, Marshal Foch and General Pétain. At Third Army headquarters, Frohen-le-Grand, later in the day he decorates three men with the ...
The journalists watch a demonstration of trench fighting in the training trenches. They inspect the trenches. The men of the division march past, and their commander, Brigadier-General F S Meighan, ta...
Australia House is at the east end of the Strand. Australian soldiers march to the building. King George arrives in his carriage with Queen Mary. A view of the facade of the building with the King and...
(Reel 1) A poor quality scene showing a company of Burma Sappers building a trestle bridge over the River Diyala on 16 April. Punjabis (of 14th Indian Division ?) making chapatis, also on 16th April. ...
The Lord Mayor opens the "Bank", which consists of the shell of a Mark IV Tank turned into a bank to sell War Bonds (no good shot of the tank). Sir Eric Geddes, the First Lord of the Admiralty, queues...
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot from "Bilder aus der großen Schlacht. 5. Teil"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...