Men of 332nd Infantry Regiment, detached from 83rd (Ohio) Division, being led by Italian soldiers into the second line of a trench system and going on to occupy a front line. Some of the Americans dis...
The commander of 26th (Yankee) Division, Major-General Clarence R Edwards, stands with Lieutenant-Colonel C M Dowell before their dugout entrance at Bras. Nearby horses of 101st Field Artillery of the...
I. Events on 23rd October. Captain J B Luckie leads 'G' Company, 313rd Infantry Regiment, 79th (Liberty) Division, over the top in a training exercise in the region of Combres. The town of Cambrai aft...
Watering horses of 1st Field Artillery Brigade in the Forêt de la Reine, just north of Boucq, with considerable military traffic congestion. Men of 18th Infantry Regiment advancing in 'artillery form...
Secretary of State for War Newton D Baker visits American troops hospitalised at Romsey in England. The rest of the film is of France. An American Infantry band plays in a damaged barn in the Argonne....
I. The film starts with US and French troops parading through the Place d'Jena and the Avenue du Président Wilson in Paris on 4th July, followed by French troops clearing up bomb damage after a Germa...
Troops repairing bridges throw rocks to splash the camera. Varennes (where, in July, 3rd Division earned the title 'Marne') showing extensive damage. An American discovering a German booby trap (acted...
A temporary British cemetery in France, possibly Thelus. The camera closes in to a cross marked "A British Soldier". Then the coffin of the Unknown Warrior being carried to the quay at Boulogne by sen...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...