I. Medium close-up of cameraship's wake, and pan up to four battleships in line astern, an Orion Class vessel leading. Kite balloon overhead. II. Two sequences showing elements of Second Battle Squadr...
I. 'Nash Fish' (hydrophone) is winched up and swung over the side of a PC boat. II. Medium shot from an airship holding station off the starboard quarter, and slowly coming abeam of USS Birmingham. Ae...
I. Ship's boats and steam launches come alongside carrying marines. High-angle medium shot onto quayside, as Marine band and detachments of RMLI march away after disembarkation. RMLI detachment passes...
I. Long shot as SS airship passes across sky background.II. Interior medium close-up of Italian officer at the periscope in submarine's control room (cf IWM 1155).III. Onboard low-angle medium shot of...
The film describes the achievements of "the Cavalry of the Clouds". It starts with an RAF squadron in France in 1918 (actually 84 Squadron at Bertangles) being briefed and taking off in their SE5as. T...
In Havana, Cuba, 6,000 factory hands thrown out of work by the effect of the war on trade protest outside the Congress. In Lisbon the Portuguese send troops, shown leaving by ship, to Angola (Portugue...
I. (Reel 1) Craters left by the Germans in order to hinder pursuit and the flooding from the Omignon River at Caulaincourt. The wrecked sugar factory at Jeancourt. A battalion of the Leicestershire Re...
I. (Reel 1) The Royal Naval Air Service at Felixstowe. First their marching band. Then aircrew running a Curtiss H.2 flying boat, possibly one of the first two purchased from the Curtiss company, out...
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
American soldiers sent to France march with the American flags in the streets of Paris.
A soldier with cannon in a trench during the battle of Terron.
W.R.. „Historische Filme.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 86. Der Rezensent führt den Film als Beispiel dafür an, dass die Filmindustrie mi...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...
Traugott Schalcher, Die neue Generation, Das Lichtbildtheater, 6.Jg, Nr.22, (1914). Der Artikel berichtet von der Selbstverständlichkeit, mit der das Kino als Medium in der jungen Generation angenomm...
O. Verf.. „Kino und Kirche.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 73-74. Beschlüsse der Fuldaer Bischofskonferenz von 20.8.1913. Schulpflichtigen ...
Dr. Hellwig. "Plakatwesen in Bayern." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Das Anbringen von Filmplakaten sei ohne polizeiliche Genehmigung noch imme...
Kriegsabenteuer eines Kino-Operateurs, Der Kinematograph, 437, (1915), S. 14-15. Erlebnisbericht des Müncher Kameramanns Martin Kopp von seinen Erlebnissen als Kriegsberichterstatter.
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...