1. Intertitle: Life and activities in the villages behind the front. 2. Intertitle: Food distribution to the population. Image: Women and children rush back and forth in front of a shop; conversations...
Brussels: Victory arch, Manneken Pis, marketplace and theatre; Antwerp: municipality, railway station and harbour; Ghent: canals with historic buildings; Zeebrügge: aerial views of the breakwater and...
Military airfield with several „Albatros C“ biplanes, which take off one after another. 1. Intertitle: Spotter planes. Image: An „LVG C II“ spotter plane; the pilot in the aircraft; the observ...
1. Intertitle: All cannon damaged in battle are repaired here, only those which have been rendered completely useless return to the Fatherland. 2. Intertitle: Morning roll call. Image: Morning roll ca...
Repair of damaged cannon and machine guns in the workshop; cartridge belts of machine gun ammunition; loading a cannon barrel onto a rail cart; work at the drop hammer; welding work; cannon barrels ar...
Preparations for the ascent of the captive balloon; observation officer fastens the parachute belt and climbs into the basket; orientation at the map board; checking the field telephone connection; as...
G. W. Pabst’s anti-war classic tells the story of four German soldiers on the Western Front in France in the last year of the First World War. The Bavarian sees the war primarily as an adventure. Th...
Military railway station at the German western front in WWI; loading material for road-works, rations are transported to the front; a captured English store, English rations, evacuation of captured ma...
Claus Clausen (rechts)
Szene mit Jackie Monnier (Mitte)
Hans Joachim Moebis, Gustav Diessl (rechts)
Szene mit Gustav Diessl (rechts)
Gustav Diessl, Carl Balhaus, Hanna Hoessrich (v.l.n.r.),
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
Fritz Kampers (Mitte), Hans Joachim Moebis (rechts)
59 x 84 cm
There was not any kind of restriction noted.
,
,
(Der) Kinematograph, 143/25
Film-Kurier,