The people of Lochgelly at work and play, with footage of wash day and playing golf and bowls.
A record of the renovation work on the Bellhaven cafe, Wishaw, Lanarkshire, between 1948 to 1955; shows the work of masons, joiners, glaziers and the Cocozza family on the new Cafe, and the interest o...
An impressionistic account of the attractions that Aberdeen and Deeside offer the summer visitor.
Crowning Ceremony at Newmills, Torryburn and Crombie Gala Day.
Footage of sand racing, and coverage of the first post-war car hill climb race held at Rest and Be Thankful, organised by the Royal Scottish Automobile Club, St Andrews.
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Scenes of work and recreation for members and friends of the Babcock and Wilcox family. [See also refs. 15...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Featuring their Cyclone furnace for firing coal at work; the Renfrew staff association magazine going to pre...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The 1957 Industrial Fair and Exhibition in Sydney, Australia where Babcock and Wilcox Australion Co. had a ...
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...