Newsreel item showing British soldiers eating bread and jam "with proverbial coolness," Western Front, May 1918.
A German officer addresses his men in a dugout. They emerge from the dugout and man their trench against an Australian attack. The Australians storm the trench and throw grenades down into the dugouts...
Newsreel item on the building of a giant billboard poster in Trafalgar Square, London, February 1918.
Newsreel item on snow conditions in Flanders, showing the cameraman's car stuck in a snowdrift, and soldiers having a snowball fight, Western Front, January 1918.
I. Newsreel item on a long mule train, with Indian Army drivers, in the deserts of Palestine, late 1917.II. Brief newsreel item on a long line of limbers and GS wagons making their way forward down a ...
Newsreel item on Lloyd George receiving the freedom of the city of Edinburgh, May 1918.
The film reconstructs the repulse of a German column charge by British rifle and field artillery fire in the centre of the battlefield, and then the defence of Nimy bridge on the left by 4th Royal Fus...
(Reel 1) Off the British coast, U-boat 32 attacks merchant ships. The German captain, Stackmeyer, is saluted by his Admiral, who warns that the blockade of Britain will be tightened; later, the U-boat...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...