The R36 is nose-forward in its shed. Workers turn a large capstan to wind back the doors of the shed and the airship is towed out. It is clearly marked as R36 and as G-FAAF. It takes off from its laun...
The film opens with an unrelated scene of Australian troops exploding a shell or mine in a training exercise. 1st Spahi Cavalry Regiment 'charges' the camera. One of the men demonstrates steadiness by...
Presentation of Brussels by the puppets Toone and Woltje.
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Letter from CCC to Kalanag, 20 October 1959 regarding the loan of snakes for the shooting of "Herrin der Welt. I. Teil".
Memo for "Herrin der Welt (Teil I)" on the shooting with ants in the "Berliner Aquarium".
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Richard Ostwald Film GmbH, Anders als die Andern (§ 175), Der Kinematograph, 635, (1919), S. 34.
Daily call sheet for 08 December 1959 for the shooting of "Herrin der Welt".
Daily production report No. 22, 01 February 1966 on the shooting of "Lange Beine - lange Finger".
Daily production report No. 25, 17 November 1960 on the shooting of "O sole mio".