The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
I. The film opens as the Queen leaves a factory escorted by a mayor. It jumps to her inspecting Royal Marines and Royal Navy ratings drawn up at Chatham. The King is also present, in naval uniform. Th...
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
I. A long sequence of 2/4th Battalion, the Dorset Regiment, with its band leading, marching into Bethlehem (poor quality film). II. Allenby's visit to Bethlehem, 25 December 1917. He can be seen among...
(Reel 1) The arsenal entrance in Beresford Square, with the internal train taking the workers to various departments. Women and boys in the Tailors' Shop make gloves, felt "buttons" for 15-inch shells...
The divisional commander, Brigadier-General F S Meighan, shows the journalists around the training area. (Very broken film, extremely hard to follow.) The men are engaged in various kinds of training:...
Three Australian officers stand with a Belgian officer as escort on the balcony of the prison where Nurse Cavell was held. Next, they stand by the plaque in the prison yard marking the place where she...
"Love and 50 Megatons" (2019)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
German movie poster of "Messi and Maud" (2017)
Christobal Farais, Rifka Lodeizen in"Messi and Maud" (2017)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Messi and Maud" (2017)
Rifka Lodeizen, Christobal Farais in "Messi and Maud" (2017)
"Messi and Maud" (2017)
Daily production report No. 29, November 24, 1953 on the shooting of "Die Privatsekretärin".
Dialogue list (excerpt) for "Die Privatsekretärin".
Dialogue list (excerpt) for "...und immer ruft das Herz".
Screenplay (excerpt) of "... und immer ruft das Herz".
Letter from Wolf Brauner to Horst Wendlandt, 08 May 1958 regarding the shooting for "...und immer ruft das Herz".
Daily production report No. 29, 28 May 1958 on the shooting of "...und immer ruft das Herz".
Daily production report No. 30, 29 May 1958 on the shooting of "...und immer ruft das Herz".
Daily production report No. 31, 30 May 1958 on the shooting of "...und immer ruft das Herz".