One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. made between 1954 and 1961, it is a review of the work and recreation for members and friends of the Babcock and Wilcox family. [Se...
Amateur footage of West Pilton's Gala week including the church parade, a bowling competition, a football match and the Gala Queen crowning ceremony.
An introduction to Perthshire, highlighting its places of interest, countryside and leisure opportunities.
Scenes of the peace pageant in the Borders town of Galashiels.
Film of 'Tammie Twister', a pantomime which includes George West and Jack E Raymond as Laurel and Hardy.
The 750th Anniversary of Kirkintilloch and the celebrations and events to mark it, including a football match, swimming competition, and a church parade.
Life on Marywell Farm during the first years of the Taggart family's occupancy.
Cyclical year in the life of the Taggart family as they take up residence at Marywell Farm. Their first experiences of country life.
Natasja Juul in "Near and Elsewhere" (2018)
Filmplakat
Irmin Schmidt in "Can and Me" (2022)
Filmplakat
Enrique Fissin "Near and Elsewhere" (2018)
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Ken Duken
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.