The celebrations involve an Italian contingent parade and marchpast, chiefly of the field guns, watched by the contingent's commander, General di Robillant. A posed group of General Peppino Garibaldi,...
I. Queenstown. Low-angle medium shot from small craft crossing bows of three US destroyers moored together in the harbour with a paddle minesweeper - two of the ships are USS Duncan (46) and USS Stere...
(Reel 1) Opening sequence of aerial shots showing a convoy and escort vessels. Cut to "The Making of the Men" - Nautical College, Pangbourne, HMS Worcester, HMS Medway, HMS Arethusa. Scenes showing ca...
(Reel 1) Their work on shore, preparing a mined anti-submarine net - wire splicing, making nets, fitting floats, detonators, etc. Work on the water - Lowestoft drifter loads netting and cable. Two typ...
(Reel 1) Searchlight battery at night - beams weave about and spotlight moored destroyers. Admirals Beatty and Rodman onboard HMS Queen Elizabeth. Scenes onboard HMS Canada - divine service (Glorious ...
Medium long shot silhouette off starboard bow of HMS Malaya steaming with guns trained over the beam - the cameraship changes its bearing during the sequence from starboard bow to dead ahead to port b...
The British fleet awaits its visitors - among the attendant ships are Colossus and Bellerophon Class battleships, HMS Neptune, and Warrior and Minotaur Class armoured cruisers. HMS Canada: "A link in ...
(Reel 1) Aerial view of Cranwell. Medium close-up of Commodore Luce; instruction of trainee ground crew and probationary flight officers; wireless school; gunnery practice with Maxim MG and Lewis on s...
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch ...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...