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FILMAI
(3074 Rezultatai)

ANNALES DE LA GUERRE 64 [Main]
1918
Imperial War Museums

The celebrations involve an Italian contingent parade and marchpast, chiefly of the field guns, watched by the contingent's commander, General di Robillant. A posed group of General Peppino Garibaldi,...

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[MISCELLANEOUS FIRST WORLD WAR NAVAL MATERIAL 1] [Allocated]
1918
Imperial War Museums
Kitas pavadinimas (ai):
- [MISCELLANEOUS FIRST WORLD WAR NAVAL MATERIAL 1] [Allocated]

I. Queenstown. Low-angle medium shot from small craft crossing bows of three US destroyers moored together in the harbour with a paddle minesweeper - two of the ships are USS Duncan (46) and USS Stere...

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the WAY OF A SHIP ON THE SEA [Main]
1918
Imperial War Museums

(Reel 1) Opening sequence of aerial shots showing a convoy and escort vessels. Cut to "The Making of the Men" - Nautical College, Pangbourne, HMS Worcester, HMS Medway, HMS Arethusa. Scenes showing ca...

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the STORY OF THE DRIFTERS : and of the sea dogs who man them [Main]
1917
Imperial War Museums

(Reel 1) Their work on shore, preparing a mined anti-submarine net - wire splicing, making nets, fitting floats, detonators, etc. Work on the water - Lowestoft drifter loads netting and cable. Two typ...

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RULE BRITANNIA [Main]
1918
Imperial War Museums

(Reel 1) Searchlight battery at night - beams weave about and spotlight moored destroyers. Admirals Beatty and Rodman onboard HMS Queen Elizabeth. Scenes onboard HMS Canada - divine service (Glorious ...

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[FIRST WORLD WAR BATTLESHIPS AND DESTROYERS 2] [Allocated]
1918
Imperial War Museums
Kitas pavadinimas (ai):
- [FIRST WORLD WAR BATTLESHIPS AND DESTROYERS 2] [Allocated]

Medium long shot silhouette off starboard bow of HMS Malaya steaming with guns trained over the beam - the cameraship changes its bearing during the sequence from starboard bow to dead ahead to port b...

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HANDS ACROSS THE SEA [Main]
1918
Imperial War Museums

The British fleet awaits its visitors - among the attendant ships are Colossus and Bellerophon Class battleships, HMS Neptune, and Warrior and Minotaur Class armoured cruisers. HMS Canada: "A link in ...

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OUR NAVAL AIR POWER [Main]
1918
Imperial War Museums

(Reel 1) Aerial view of Cranwell. Medium close-up of Commodore Luce; instruction of trainee ground crew and probationary flight officers; wireless school; gunnery practice with Maxim MG and Lewis on s...

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Vaizdai
(4430 Rezultatai)

Poručík Alexander Rjepkin - picture 53
Set photo
1937
Národní filmový archiv
Kitas pavadinimas (ai):
- Poručík Alexander Rjepkin - picture 53

Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...

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Poručík Alexander Rjepkin - picture 55
Set photo
1937
Národní filmový archiv
Kitas pavadinimas (ai):
- Poručík Alexander Rjepkin - picture 55

Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.

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Poručík Alexander Rjepkin - picture 56
Set photo
1937
Národní filmový archiv
Kitas pavadinimas (ai):
- Poručík Alexander Rjepkin - picture 56

Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.

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Poručík Alexander Rjepkin - picture 57
Set photo
1937
Národní filmový archiv
Kitas pavadinimas (ai):
- Poručík Alexander Rjepkin - picture 57

Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.

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Za československý stát - picture 5
Set photo
1928
Národní filmový archiv
Kitas pavadinimas (ai):
- Za československý stát - picture 5

Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...

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Za československý stát - picture 11
Set photo
1928
Národní filmový archiv
Kitas pavadinimas (ai):
- Za československý stát - picture 11

Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.

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Za československý stát - picture 12
Set photo
1928
Národní filmový archiv
Kitas pavadinimas (ai):
- Za československý stát - picture 12

After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).

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Za československý stát - picture 17
Set photo
1928
Národní filmový archiv
Kitas pavadinimas (ai):
- Za československý stát - picture 17

Farmer Tomeš and his son Jeníček with the oxcart full of straw.

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TEKSTAI
(661 Rezultatai)

Von den künsterischen Möglichkeiten des Wandelbildes. Aufsatz, um 1916
Article
1916
DFF – Deutsches Filminstitut & Filmmuseum
Išsamiai
Kritik aus Breslauer Generalanzeiger (22.10.1916)
Review
22.1
DFF – Deutsches Filminstitut & Filmmuseum
Išsamiai
Kritik aus Kölner Tageblatt (15.02.1915)
Review
15.0
DFF – Deutsches Filminstitut & Filmmuseum
Išsamiai
Kritik aus Neues Tagblatt (14.10.1916)
Review
14.1
DFF – Deutsches Filminstitut & Filmmuseum
Išsamiai
Filmprogramm von "Das Ende des Homunculus"
Programme
1916
DFF – Deutsches Filminstitut & Filmmuseum
Išsamiai
Zensur und Sittlichkeit
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...

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Der Film im Dienste der Politik
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...

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Die Vorteile durch den Krieg für das Kinotheater
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...

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