The hospital ship is at anchor, with other vessels in the far distance. On the bridge a nurse, assisted by a sailor, is handling the wheel.Princess Alexandra Victoria of Schleswig-Holstein, wife of Pr...
I. Medium shot forward along portside of W Class destroyer to HMS Renown - a small boat spins past between the two ships. Medium long shot across fleet anchorage - Iron Duke Class battleships at frame...
(Reel 1) Material from various phases of the Somme offensive without regard for logical or chronological continuity. The film opens with the unloading of supply trains, and soldiers on the march to th...
I. Medium shot, closing on the starboard quarter of an Italian 19 ton, Type 'B' MAS underway at speed, and a passing shot of MAS flotilla steaming in line, the camera vessel proceeding on an opposite ...
Panning medium shot over HMS Walker at anchor with the Forth Bridge in background. Very grey long shot of Forth Bridge with destroyers directly astern of US battleships in the distance - one is Arkans...
I. (Reel 5) Impressionistic to the point of incoherence. Starting with troops disembarking at a harbour. Marching columns, some of them identified: the Devonshire Regiment, some Scots, the Bedfordshir...
The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President PoincarÃ...
The King, in Field Marshal's uniform and unaccompanied by other members of the Royal family, arrives at Calais on HMS Whirlwind on 5 August. Three days later he inspects British and US pilots of RAF 1...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...