Australia House is at the east end of the Strand. Australian soldiers march to the building. King George arrives in his carriage with Queen Mary. A view of the facade of the building with the King and...
(Reel 1) A poor quality scene showing a company of Burma Sappers building a trestle bridge over the River Diyala on 16 April. Punjabis (of 14th Indian Division ?) making chapatis, also on 16th April. ...
The Lord Mayor opens the "Bank", which consists of the shell of a Mark IV Tank turned into a bank to sell War Bonds (no good shot of the tank). Sir Eric Geddes, the First Lord of the Admiralty, queues...
Mr Gompers with two other labour leaders comes up the ladder and onto the quarterdeck of HMS Queen Elizabeth. Admiral Sir David Beatty is there with his staff to shake hands and meet him.The King and ...
(Reel 1) The film opens by stating that as the basis for the expansion of the Army in wartime the TA "may be a factor in the maintenance of peace". Men of 4th Battalion, Northamptonshire Regiment, mar...
Chang's Army of Fengtien, with Russian assistance, advances down the coast of the Gulf of Chihli, the territory of the warlord Wu Pei-Fu of Peking. Most of the battle sequences are clearly reconstruct...
A balloon of 23rd Kite Balloon Company defended by a 13-pounder anti-aircraft gun on a lorry mount. A crashed RE8 reconnaissance aircraft (compare with the same scene in IWM 68 MESOPOTAMIA - DIYALA RI...
(Reel 1) The icebreaker SS Canada brings the cameraman and his colleagues into Archangel harbour in the middle of winter. The locals, in full furs, use sledges for transportation, some of them drawn b...
View of a restaurant filled with guests, primarily Austrian officers. Nurse Mathilde (actor: Adina Mandlová) is sitting in the centre background and behind her are seated musicians playing instrument...
Medium shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Wide shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Medium shot of two nurses. Tonička (actress: Truda Grosslichtová) is holding a wash basin with a sponge and Mathilde (actress: Adina Mandlová) is washing the face of a lying patient. In the backgro...
Wide shot of a café. Austrian officers sit around tables on the right and left (second from left is actor Jaroslav Marvan). Dr. Šrámek (actor: František Smolík) is standing next to the table on t...
View of a hospital room. Infantryman Sakař (actor: Jindřich Plachta) is lying on a bed with a bandaged neck and closed eyes. Leaning over him to the left is infantryman Tlamicha (actor: Theodor Piš...
In the foreground, Lieutenant Rjepkin is lying on a hospital bed. Two doctors and Nurse Mathilde (actress: Adina Mandlová) are standing over him. Dr. Klíma (actor: Karel Veverka) has a stethoscope i...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) in civilian clothing and Dr. Šrámek (actor: František Smolík) in an officer's uniform. They are standing in a corridor.
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...