The location is a town behind the Western Front. The conscripts, still in civilian clothes, march forward with US soldiers to lay wreaths on the graves of French and US soldiers.Outside the cathedral ...
Refugees watch horsed transport move down a road by a shell dump. The gunners attend to their 155mm howitzers. Lorries move up another road. Gunners check that a 155mm Schneider gun is properly limber...
The Marquis, as a descendant of de Rochambeau, watches the ceremony. The actual presentation is made by the Marquise, watched by a number of civilians. Following the presentation the regiment marches ...
The film opens with a French and US soldier shaking hands, fading into a statue of Lafayette with Washington. Scenes of American troops disembarking at a harbour to substantiate the claim that there a...
Franchet d'Esperey is met from his train by various military representatives of the Allies, British, Italian and Serbian. Franchet d'Esperey goes on with his staff to review part of the French conting...
The formal ceremony takes place at the general's headquarters. He pins decorations on the standards of seven regiments, including that of 21st Battalion, Chasseurs (?). In Châlons, close to the headq...
Men of XXXIV Corps on a German railway line through the Bois de Loges captured intact on 12th August along with a derailed goods train and a dump of shells, mainly 77mm calibre. German prisoners, some...
Some of the troops line a trench, others a sunken road. Engineers of 3rd (Marne) Division build a light bridge over the river. Transport crosses a stone bridge as the sappers continue to repair it. A ...
Still with Uschi Elleot
Still from "Ein Mädchen zu verschenken"
Poster design
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Reingefallen"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...