The men, some in uniform and others in civilian clothes, drive in a fleet of cars through central London to the cheers of the watching crowds. (King George is not shown.) According to the caption ther...
The soldiers bring the full coaltrucks out to the surface of the mine. The coal is dumped from the trucks and horse-wagons are loaded from the dump. A traction engine runs a coal-crusher. A few soldie...
The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
The men are due to serve with the French Army. They practise a river-crossing using pontoon ferries, drill and bayonet exercises on a parade ground, digging trenches in the scrub and making a mock att...
The Legion, led by its band, marches up to the front of the cathedral at Puy-les-Volontaires for a mass. The Legion in the main square at Breuil holds a review before its leaders while a number of civ...
The Italian General Pecori and General Maistre review the Sassari Brigade of the French Army, passing between the ranks. As the review is in progress a French Spad 13 overflies the parade twice, quite...
Well behind the lines, a mass of soldiers, most probably from 123rd Division semi-posed as if waiting for transport. A senior officer is with them, possibly Lieutenant-General de Riols de Fonclare, th...
Part of the area is flooded. A marching column sets out for the front lines. Engineers knock in stakes for wire defences in the second line and fix wire to them. A relief patrol moves up in single fil...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.