Men of 332nd Infantry Regiment, detached from 83rd (Ohio) Division, being led by Italian soldiers into the second line of a trench system and going on to occupy a front line. Some of the Americans dis...
The commander of 26th (Yankee) Division, Major-General Clarence R Edwards, stands with Lieutenant-Colonel C M Dowell before their dugout entrance at Bras. Nearby horses of 101st Field Artillery of the...
I. Events on 23rd October. Captain J B Luckie leads 'G' Company, 313rd Infantry Regiment, 79th (Liberty) Division, over the top in a training exercise in the region of Combres. The town of Cambrai aft...
Watering horses of 1st Field Artillery Brigade in the Forêt de la Reine, just north of Boucq, with considerable military traffic congestion. Men of 18th Infantry Regiment advancing in 'artillery form...
Secretary of State for War Newton D Baker visits American troops hospitalised at Romsey in England. The rest of the film is of France. An American Infantry band plays in a damaged barn in the Argonne....
I. The film starts with US and French troops parading through the Place d'Jena and the Avenue du Président Wilson in Paris on 4th July, followed by French troops clearing up bomb damage after a Germa...
Troops repairing bridges throw rocks to splash the camera. Varennes (where, in July, 3rd Division earned the title 'Marne') showing extensive damage. An American discovering a German booby trap (acted...
A temporary British cemetery in France, possibly Thelus. The camera closes in to a cross marked "A British Soldier". Then the coffin of the Unknown Warrior being carried to the quay at Boulogne by sen...
Wide shot of a hospital corridor. Nurse Tonička (actress: Truda Grosslichtová) stands in the middle of the corridor clasping hands with Corporal Bartoněk (actor: Jiří Vondrovič), whose other arm...
Medium shot of several men sitting around a table with a half loaf of bread and a carafe of water. On the left sits Sakař (actor: Jindřich Plachta) with a bandaged neck. To the right sit Vyskočil (...
Wide shot of a corridor. Standing in front of the door to Dr. Šrámek's office are Nurse Mathilde (actress: Adina Mandlová) and Rjepkin (actor: Vladimír Borský) flanked by Austrian military guards...
View of an office. A colonel of the Austrian army (actor: Jaroslav Marvan) and Dr. Šrámek (actor: František Smolík) are standing at a desk. Behind Šrámek are two military guards (on the right, a...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) is sitting at a desk and pointing at another doctor standing on the opposite side of the desk. Rjepkin (actor: Vladimír Borský) is st...
Wide shot of a corridor and a door with a sign indicating "MUDr. Fr. Šrámek." Standing in front of the door are nurse Mathilde (actress: Adina Mandlová), First Lieutenant Liška (actor: František ...
Lieutenant Rjepkin (actor: Vladimír Borský) is lying on a hospital bed in the foreground. Three figures are standing over him: Nurse Mathilde (actor: Adina Mandlová) on the left, and doctors Šrám...
View of a hospital room. In the centre of the image, cadet Severa (actor: Stanislav Strnad) is lying on a bed and hugging his mother (actress: Marie Ptáková), who is sitting next to him. Rjepkin is ...
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...