I. Medium close-up of cameraship's wake, and pan up to four battleships in line astern, an Orion Class vessel leading. Kite balloon overhead. II. Two sequences showing elements of Second Battle Squadr...
I. 'Nash Fish' (hydrophone) is winched up and swung over the side of a PC boat. II. Medium shot from an airship holding station off the starboard quarter, and slowly coming abeam of USS Birmingham. Ae...
I. Ship's boats and steam launches come alongside carrying marines. High-angle medium shot onto quayside, as Marine band and detachments of RMLI march away after disembarkation. RMLI detachment passes...
I. Long shot as SS airship passes across sky background.II. Interior medium close-up of Italian officer at the periscope in submarine's control room (cf IWM 1155).III. Onboard low-angle medium shot of...
The film describes the achievements of "the Cavalry of the Clouds". It starts with an RAF squadron in France in 1918 (actually 84 Squadron at Bertangles) being briefed and taking off in their SE5as. T...
In Havana, Cuba, 6,000 factory hands thrown out of work by the effect of the war on trade protest outside the Congress. In Lisbon the Portuguese send troops, shown leaving by ship, to Angola (Portugue...
I. (Reel 1) Craters left by the Germans in order to hinder pursuit and the flooding from the Omignon River at Caulaincourt. The wrecked sugar factory at Jeancourt. A battalion of the Leicestershire Re...
I. (Reel 1) The Royal Naval Air Service at Felixstowe. First their marching band. Then aircrew running a Curtiss H.2 flying boat, possibly one of the first two purchased from the Curtiss company, out...
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch ...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...