I. Medium close-up of cameraship's wake, and pan up to four battleships in line astern, an Orion Class vessel leading. Kite balloon overhead. II. Two sequences showing elements of Second Battle Squadr...
I. 'Nash Fish' (hydrophone) is winched up and swung over the side of a PC boat. II. Medium shot from an airship holding station off the starboard quarter, and slowly coming abeam of USS Birmingham. Ae...
I. Ship's boats and steam launches come alongside carrying marines. High-angle medium shot onto quayside, as Marine band and detachments of RMLI march away after disembarkation. RMLI detachment passes...
I. Long shot as SS airship passes across sky background.II. Interior medium close-up of Italian officer at the periscope in submarine's control room (cf IWM 1155).III. Onboard low-angle medium shot of...
The film describes the achievements of "the Cavalry of the Clouds". It starts with an RAF squadron in France in 1918 (actually 84 Squadron at Bertangles) being briefed and taking off in their SE5as. T...
In Havana, Cuba, 6,000 factory hands thrown out of work by the effect of the war on trade protest outside the Congress. In Lisbon the Portuguese send troops, shown leaving by ship, to Angola (Portugue...
I. (Reel 1) Craters left by the Germans in order to hinder pursuit and the flooding from the Omignon River at Caulaincourt. The wrecked sugar factory at Jeancourt. A battalion of the Leicestershire Re...
I. (Reel 1) The Royal Naval Air Service at Felixstowe. First their marching band. Then aircrew running a Curtiss H.2 flying boat, possibly one of the first two purchased from the Curtiss company, out...
Paul Hartmann, Adolf Klein (from left to right)
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Still with Uschi Elleot
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...