The Queen emerges into the palace courtyard. The Land Girls march past, bearing banners about the importance of the Home Front, and with a hay wagon behind them.The Royal party shakes hands with the w...
(Reel 1) Russian, or possibly Armenian, soldiers assisted by British troops to fire a 76.2mm Russian field gun. A wounded soldier on a stretcher is loaded into a lorry. A group of Armenian soldiers, o...
(Reel 1) The film's only caption, "Indian troops marching through Baghdad". They are wearing winter clothing. A British horse-drawn fire-engine leaves for a (staged ?) emergency. On the river there ar...
Indian soldiers resting after a march. An Indian water-truck column refilling their trucks from a river using hosepipes and pumps. The construction of a sandbag observation tower, and British troops o...
British "Territorials" in winter clothes march along a road in Mesopotamia, followed by a unit of cyclists. Indian soldiers marching. A 1-pounder Vickers anti-aircraft gun on a rail flatcar at Kahm Ba...
A column of Ford light trucks carrying "supplies". (Compare with the same scene in IWM 68). Men of the Gurkha Rifles moving through an RFA park. Soldiers of 2nd Battalion, the Norfolk Regiment, wading...
Basra, showing 'The Strand', followed by people in the bazaar and by light canoes, 'ballams', on the river (both scenes probably acted). Genuine film of troops in barges being towed upriver by paddle ...
First, the seaplane carrier. A Short 184 seaplane is lifted from a seaplane carrier into the water and takes off. On return it is hoisted on board again. Then the launch from a capital ship. A Beardmo...
Lyda Salmonova, Paul Wegener
Screenshot from "En Artois. Le Drapeau de Chasseurs"
Paul Wegener, Hedwig Gutzeit
Still with Henrik Galeen (first on the left), Paul Wegener (first from the right)
Paul Wegener, Lyda Salmonova
Still with Paul Wegener (in the middle)
Film poster
Paul Wegener
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...