In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
Der New Yorker Musiker Robert scheint so etwas wie eine Pechsträhne zu haben: Künstlerisch steckt er in einer Schaffenskrise und materiell sieht es so finster aus, dass er sogar aus seiner Wohnung g...
Liebesdrama frei nach dem Roman
One day, on the island of Lesbos, a shepherd by the name of Lamonas finds an abandoned little boy sucking milk from the teats of a goat. The shepherd calls the boy Dafnis and takes him as his own chil...
As indicated by the title, this is an obvious melodrama, where a beautiful rich girl (Miranda), departs from family norms and traditions by falling in love with a poor singer – obliging her to leave...
One day, on the island of Lesbos, a shepherd by the name of Lamonas finds an abandoned little boy sucking milk from the teats of a goat. The shepherd calls the boy Dafnis and takes him as his own chil...
A widow (Irene Papas) becomes much closer to her son (Stratos Tzortzoglou), thanks to a series of events and incidents in which the most unlikely characters are involved. The mother falls in love, aft...
Joseph Vogl in "Near and Elsewhere" (2018)
Szene aus "Here and There"
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Szene aus "Noise and Resistance"
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...