Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Spot Nr. 1 (00:37): Adler (Nr. 1 musikalisch): A man at supper in a room asks, „Are you musical? Then why don't you sing along?“ He sings, with accordion accompaniment from off-camera, „Adler ch...
Henry Hübchen at the premiere of "Da geht noch was" September 4, 2013 in Munich
Lisa Tomaschewsky at the premiere of "Verrückt nach Fixi" in Munich on October 9, 2016
Florian Henckel von Donnersmarck at the Deutsches Filmmuseum, Frankfurt a.M. on May, 21, 2015
Joseph Beuys at his art action: Dillinger in front of the cinema Biograph, Chicago, USA 1974 ("Beuys", 2015-17)
At the premiere of "Gut zu Vögeln" in Berlin on January 11, 2016
Ursela Monn at the premiere of "Rico, Oskar und das Herzgebreche" on the 17th of May 2015 in the Mathäser cinema, München
Mira Thiel, Nora Tschirner (from left to right) at the premiere of "Gut zu Vögeln" in Berlin on January 11, 2016
Joachim von Vietinghoff at an audience discussion with Paul Werner Wagner at the Berlin cinema TONI on April 9, 2019
O. Verf.. "Kino-Kritik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 68-69. Obwohl immer wieder Forderungen nach der Hebung des Niveaus im Kino laut würden, ...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...