(Reel 1) King George V and General Sir Herbert Plumer, commanding Second Army to which the two divisions were attached, are greeted by 30th (Old Hickory) Division commander, Major-General Edward M Lew...
The film is partially completed, and shows some signs of proper editing, but scenes may break off abruptly in one reel and resume in another reel. Throughout the film numerous reporters, press photogr...
1915. május 30-án, vasárnap, a Szent Jobb megtalálásának emléknapján először (1) érkezett Pestre az ereklye. (2) A processziót a Katholikus Népszövetség (3) rendezte, a több száz tag...
Balogh András földműves leánya, Juli megszédül a cirkusz világától, titokban elhagyja faluját, s a táncmesterrel egy fővárosi mulatóba szerződik. Csábítója éjszaka is táncgyakorlat...
(Reel 1) The film opens with unrelated scenes of the Western Front, mainly the Marne and Château-Thierry areas. Then Theodore Roosevelt beside the grave of his son Quentin. Behind-the-lines scenes of...
The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) Training the New Army - "cheery non-slackers" undergo PT, drill and bayonet practice, mounting and sabre drill for cavalry. (Reel 2) Manufacture of a 15-inch naval gun and firing trials. (Ree...
Gáthy Lőrinc (a horvát verzióban: Mr. Wickfield) felesége meghal gyermekágyban. Egy nőrokona ajánlkozik, hogy gondját viseli az árván maradt gyermeknek és a háztartásnak, de Gáthy vissz...
View of a restaurant filled with guests, primarily Austrian officers. Nurse Mathilde (actor: Adina Mandlová) is sitting in the centre background and behind her are seated musicians playing instrument...
Medium shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Wide shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Medium shot of two nurses. Tonička (actress: Truda Grosslichtová) is holding a wash basin with a sponge and Mathilde (actress: Adina Mandlová) is washing the face of a lying patient. In the backgro...
Wide shot of a café. Austrian officers sit around tables on the right and left (second from left is actor Jaroslav Marvan). Dr. Šrámek (actor: František Smolík) is standing next to the table on t...
View of a hospital room. Infantryman Sakař (actor: Jindřich Plachta) is lying on a bed with a bandaged neck and closed eyes. Leaning over him to the left is infantryman Tlamicha (actor: Theodor Piš...
In the foreground, Lieutenant Rjepkin is lying on a hospital bed. Two doctors and Nurse Mathilde (actress: Adina Mandlová) are standing over him. Dr. Klíma (actor: Karel Veverka) has a stethoscope i...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) in civilian clothing and Dr. Šrámek (actor: František Smolík) in an officer's uniform. They are standing in a corridor.
Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...
Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.
Kurbelmann im Kriegsdienst, Der Kinematograph, 436, (1915), S. 21-24. Aus der Wiener Arbeiter-Zeitung zitierter Bericht über die Erlebnisse eines Kriegsfilmers.
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...