The 'big battle' structure of the film opens with the preparatory bombardment for the days before the attack, the Infantry marching to their final positions, the attack itself, the casualties, prisone...
The King and Queen arrive in Calais to start the visit. The King inspects war trophies at Bailleul with General Sir Herbert Plumer, then goes on to watch a tank demonstration and talk with a group of ...
A column of men from 1st Balloon Company, in the Meuse or Moselle region, march through a village. British "8-inch Naval rifles" (in fact 6-inch Mk VII guns) being fired by gunners of 27th (New York) ...
I. A posed group of crews and mechanics of 94th 'Hat in the Ring' Pursuit Squadron at 1st Pursuit Group airfield, Rembercourt, 18th October. Left to right 1st Lieutenant Edward V Rickenbacker, Major K...
(Reel 1) Text of Admiral Beatty's message to the Empire. Beatty's flag (Vice-Admiral's) is broken out, and the Grand Fleet puts to sea: US battleships of 6th Battle Squadron in line astern; medium sho...
I. Aerial medium shot of HMS Satyr (F.59) underway. Two surrendered U-boats pass beneath camera-airship, followed by Scott Class Leader, UC.III and U.160 Class (?) submarines. Medium shot, HMS Melampu...
(Reel 1) The film stresses that it shows normal RAF life and has not deliberately selected its scenes. It begins with a training camp for pilots in France. New pilots arrive and are brought from the s...
The squadron's tour takes in the principal ports of the Empire. At each port the ships of the squadron are thrown open to the locals. Vice-Admiral Sir Frederick L Field has his flag on board HMS Hood....
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Kino : ill. týden. pro hlediště : orgán Synd. film. autorů. – Vol. 1, No. 1 (March 1919) -35 (December 1919). -- Praha : Volné vydavatelství KINO, 1919. -- ISSN 1804-4301 Weekly paper of the ...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...