The hospital ship is at anchor, with other vessels in the far distance. On the bridge a nurse, assisted by a sailor, is handling the wheel.Princess Alexandra Victoria of Schleswig-Holstein, wife of Pr...
I. Medium shot forward along portside of W Class destroyer to HMS Renown - a small boat spins past between the two ships. Medium long shot across fleet anchorage - Iron Duke Class battleships at frame...
(Reel 1) Material from various phases of the Somme offensive without regard for logical or chronological continuity. The film opens with the unloading of supply trains, and soldiers on the march to th...
I. Medium shot, closing on the starboard quarter of an Italian 19 ton, Type 'B' MAS underway at speed, and a passing shot of MAS flotilla steaming in line, the camera vessel proceeding on an opposite ...
Panning medium shot over HMS Walker at anchor with the Forth Bridge in background. Very grey long shot of Forth Bridge with destroyers directly astern of US battleships in the distance - one is Arkans...
I. (Reel 5) Impressionistic to the point of incoherence. Starting with troops disembarking at a harbour. Marching columns, some of them identified: the Devonshire Regiment, some Scots, the Bedfordshir...
The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President Poincar...
The King, in Field Marshal's uniform and unaccompanied by other members of the Royal family, arrives at Calais on HMS Whirlwind on 5 August. Three days later he inspects British and US pilots of RAF 1...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) and Nurse Mathilde (actress: Adina Mandlová) standing in a small room. The nurse is in uniform and holds the button on Rjepkin's coat. In ...
Medium shot of three privates: Tlamicha (actor: Theodor Pištěk), yawning Sakař (actor: Jindřich Plachta), and smiling Vyskočil (actor: Břetislav Hrstka).
Medium close-up of the wounded Corporal Bartoněk (actor: Jiří Vondrovič) with bandaged eyes and an arm in a cast with Nurse Tonička (actress: Truda Grosslichtová, in profile).
Medium shot of an operating room. Standing around the lying patient are Dr. Klíma (actor: Karel Veverka), a nurse (actress: Míla Mellanová), Dr. Šrámek (actor: František Smolík), and another nu...
Wide shot of a hospital corridor with Dr. Šrámek (actor: František Smolík), nurse Mathilde (actress: Adina Mandlová), and Lieutenant Rjepkin (actor: Vladimír Borský). Other patients can be seen...
Wide shot of a hospital room during doctor's rounds. In the centre, a Muslim patient in a robe and with a fez on his head sits on a bed. To the left of him stands a group of five doctors with doctors ...
Wide shot of men sitting at a table in a hospital room. Sakař (actor: Jindřich Plachta) is standing at the head of the table with raised arms, speaking to the group. Sitting to the left of him is Vy...
Wide shot depicting the activity in front of a stopped train. Combat medics are carrying Lieutenant Rjepkin (actor: Vladimír Borský) from the train on a stretcher; Rjepkin is covered with a blanket....
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...