Barbarians outside: yesterday as today. Who have centuries of civilization gone by for? Not even appearance has altered the Norman in his barbarism. This great work from the Ambrosio hotbed admi...
I. Spanish language version of a newsreel item on the city and cathedral at Amiens after the German failure to capture the city, 5th-7th April 1918. II. Spanish language version of a newsreel item on ...
On the staging and filming of a party on the allied armies in the WWI.
The workforce is mainly women working at benches or on production lines. They test rubber mouthpieces for leaks with a probe. They test the expiratory valves in the same manner. The corrugated tubes a...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Animation film by Dusan Vukotic, one of the major Croatian animators and co-founder of Zagreb Film. A charming story about an old magician and all sorts of magic creatures that end up in the world of ...
Newsreel item on snow conditions in Flanders, showing the cameraman's car stuck in a snowdrift, and soldiers having a snowball fight, Western Front, January 1918.
Short newsreel item on Venice during the First World War, focusing in particular on Venice's canal network, used to transport men and munitions.
Narges Rashidi, Paul Faßnacht in "Von Glücklichen Schafen" (2013/14)
Benno Blume in "James Dean lernt kochen nach MÄNNERPROTOKOLLE von Christine Müller" (2013-15)
Filmplakat von "Schulmädchen-Report 5. Teil: Was Eltern wirklich wissen sollten" (1973)
Rosa von Praunheim
Hans Klering, Alice Treff
Henny Porten
Filmplakat 02
Peter Kraus
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.