Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Florian Henckel von Donnersmarck at the Deutsches Filmmuseum, Frankfurt a.M. on May, 21, 2015
Henry Hübchen at the premiere of "Da geht noch was" September 4, 2013 in Munich
Lisa Tomaschewsky at the premiere of "Verrückt nach Fixi" in Munich on October 9, 2016
Joseph Beuys at his art action: Dillinger in front of the cinema Biograph, Chicago, USA 1974 ("Beuys", 2015-17)
At the premiere of "Gut zu Vögeln" in Berlin on January 11, 2016
Ursela Monn at the premiere of "Rico, Oskar und das Herzgebreche" on the 17th of May 2015 in the Mathäser cinema, München
Mira Thiel, Nora Tschirner (from left to right) at the premiere of "Gut zu Vögeln" in Berlin on January 11, 2016
Joachim von Vietinghoff at an audience discussion with Paul Werner Wagner at the Berlin cinema TONI on April 9, 2019
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...
Invitation to the Berlin premiere of "Mädchen hinter Gittern" on November 25, 1949.
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Traugott Schalcher, Die neue Generation, Das Lichtbildtheater, 6.Jg, Nr.22, (1914). Der Artikel berichtet von der Selbstverständlichkeit, mit der das Kino als Medium in der jungen Generation angenomm...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...