Two items from this issue: "The Atlantic Flight - Miss Catherine Masson christens the waterplane "America" which is to attempt the great flight across the Atlantic." "Great Britain Prepares - Scenes ...
British and Belgian troops on dockside at Ostend. "Trekking To Safety - British and Belgian troops watch the departure of the refugees from Ostend" - one shot only after this title.
"The Retreat From Ghent - Belgian cavalry and artillery falling back on Bruges".
"King And President - The King of the Belgians and President Poincaré leaving Furnes after an inspection of the French Cavalry in the market square".
"The New Army Difficulties - Soldiers making their way to their billets through the flooded district".
"War In The Snow" - Severe snow storms add to the discomfort of German troops who are compelled to leave their dug-outs to prevent being frozen to death.
"In The Vosges - The ruins of La Bourgonce where the German troops suffered heavy losses".
"FRANCES' DAY. London celebrates 14th of July by wearing the tricolour in honour of her glorious ally." British Army officers stand in busy street with girls sporting bonnets and dresses decorated in ...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Traugott Schalcher, Patriotische Films und Filmpatrioten, Das Lichtbildtheater, 6.Jg, Nr.30, (1914). Bericht darüber, dass in Frankreich patriotische Filme einen Aufschwung erleben würden, während ...
O. Verf.. „Auswüchse in der Reklame der Lichtbildtheater.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,1 (1913/1914): 24. Die Stadt Bamberg habe eine Verordnung erlassen, ...
Richard Ostwald Film GmbH, Anders als die Andern (§ 175), Der Kinematograph, 635, (1919), S. 34.
Richard Ostwald Film GmbH, Die Prostitution, Lichtbildbühne, 50, (1918), S. 74-75. Werbung für einen Film über die Prostitution.
Passt das Kino in den Ernst der Zeit ?, Der Kinematograph, 468, (1915), S. 20-21. Die Kritik am Kino sei völlig unangebracht, da das Kino generell mit anderen Maßstäben gemessen werde als andere Un...