Short war film. Being imprisoned, chained and shaven half bold, dragged through the snow. A man stayes behind and is saved by passengers. Yet later on, when he is recognised, he is shot down.
Documentary about the town of Amerongen 'Amerongen: a previously unknown Dutch village, but since 1919 ... a famous royal resort'. With this text, filmmaker Willy Mullens begins this short promotional...
Drama in which Hélène, the owner of a large company, looses her memory and is taken in a working class family. She starts to work in her own factory, to find out that her employees are working under...
Circus drama about the dancer Nelly who has a lot of problems with men and is in search of her own happiness.
Reportage about the preparations of the Second Austrian Army for the war against the Russian army, during the First World War.
Melodrama in which a stepfather tries to get his hands on the inheritance of his two stepdaughters. When one of them dies, and the other sacrifies herself, he repents.
Crime drama in which the journalist Fergusson starts to investigate the criminal businesses of his father-in-law, through which he ends up in dangerous situations.
Suzanne and the prince of Sylvania fall in love with each other, but this is forbidden. Suzanne is thrown out of the house, gives birth to an illegitimate child, goes mad and dies before she can see h...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...