Duplicate or discarded material from British Official film production in the First World War.
Incomplete copy of the second reel of THE STORY OF THE DRIFTERS, IWM 553, with minor differences in subtitling.
Version with French language subtitles of part of IWM 17 the NEW CRUSADERS Men of 1/8th Battalion, the Hampshire Regiment, 54th (East Anglia) Division, on Samson Ridge, resting and eating. Some of the...
I. French language version of a newsreel item on Welsh Day in London, June 1918. II. French language version of a newsreel item on the knighting of Vice-Admiral Sir Roger Keyes by George V at Buckingh...
German language version of the second part of IWM 130-09+10, Episode 5 of the British documentary series SONS OF OUR EMPIRE.
French language version of a newsreel item on the town of Amiens after the German failure to capture it, showing a pan over the town and the outside of the cathedral, Western Front, 5th-7th April 1918...
French language version of a newsreel item on British soldiers helping refugees, including old ladies, onto a train for evacuation, near Béthune, Western Front, 10th-14th April 1918.
I. French language version of a newsreel item on the funeral of Baron Manfred von Richthofen ('the Red Baron') at Bertangles, Western Front, 22nd April 1918. II. French language version of a newsreel ...
Still with Uschi Elleot
Still from "Ein Mädchen zu verschenken"
Poster design
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Reingefallen"
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...