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Videot
(3074 Tulokset)

[MISCELLANEOUS FIRST WORLD WAR NAVAL MATERIAL 12] [Allocated]
1918
Imperial War Museums
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- [MISCELLANEOUS FIRST WORLD WAR NAVAL MATERIAL 12] [Allocated]

I. Long shot as SS airship passes across sky background.II. Interior medium close-up of Italian officer at the periscope in submarine's control room (cf IWM 1155).III. Onboard low-angle medium shot of...

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[RAF RETROSPECTIVE FILM] [Allocated]
1918
Imperial War Museums
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- [RAF RETROSPECTIVE FILM] [Allocated]

The film describes the achievements of "the Cavalry of the Clouds". It starts with an RAF squadron in France in 1918 (actually 84 Squadron at Bertangles) being briefed and taking off in their SE5as. T...

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PATHE'S ANIMATED HISTORY OF THE GREAT WAR - PART 22 CHAPTER 3 [Main]
1925
Imperial War Museums

In Havana, Cuba, 6,000 factory hands thrown out of work by the effect of the war on trade protest outside the Congress. In Lisbon the Portuguese send troops, shown leaving by ship, to Angola (Portugue...

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the GERMAN RETREAT TO ST QUENTIN [Main]
1917
Imperial War Museums

I. (Reel 1) Craters left by the Germans in order to hinder pursuit and the flooding from the Omignon River at Caulaincourt. The wrecked sugar factory at Jeancourt. A battalion of the Leicestershire Re...

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SONS OF OUR EMPIRE EPISODE 2 : Glimpses of the British Navy in war time [Main]
1917
Imperial War Museums
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- GLIMPSES OF THE BRITISH NAVY IN WAR TIME [alternative]

I. (Reel 1) The Royal Naval Air Service at Felixstowe. First their marching band. Then aircrew running a Curtiss H.2 flying boat, possibly one of the first two purchased from the Curtiss company, out...

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SONS OF OUR EMPIRE EPISODE 5 : Attacking hard [Main]
1917
Imperial War Museums
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- ATTACKING HARD [alternative]

(Reel 9) A bombardment in progress. Mk I tanks move up. Fatigue parties (described as "doctors") move forwards. Prisoners are brought in and the captured area mopped up. The German Crown Prince's head...

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WITH THE AUSTRALIAN FORCES IN FRANCE [Main]
1918
Imperial War Museums

(Reel 1) Men of Australian 1st Division marching to Pozières, 16 July, followed by a cyclist patrol and a motorised machine gun battery. Men of the New Zealand Division resting briefly in a village s...

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the CAPTURE OF MESSINES [Main]
1917
Imperial War Museums

Men of Australian 3rd Division, probably 4th Brigade, 13th (New South Wales) Battalion, inspecting from an observation tower the scale model of the battlefield laid out near Scherpenberg, about the si...

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Kuvat
(4430 Tulokset)

Českoslovenští dobrovolníci ve světové válce 1914 - 1918 - picture 61
Set photo
1934
Národní filmový archiv
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- Českoslovenští dobrovolníci ve světové válce 1914 - 1918 - picture 61

Hammering nails into flagpole of Czech legion and ceremonial blessing of the flag (28th September 1914) in Kiev.

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Českoslovenští dobrovolníci ve světové válce 1914 - 1918 - picture 63
Set photo
1934
Národní filmový archiv
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- Českoslovenští dobrovolníci ve světové válce 1914 - 1918 - picture 63

Ceremonial blessing of the flag (28th September 1914) of Czech legion in Kiev.

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Poručík Alexander Rjepkin - picture 14
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 14

Wide shot of an office. Standing from left to right are: Dr. Šrámek (actor: František Smolík), an Austrian colonel (actor: Jaroslav Marvan), a military guard, Lieutenant Rjepkin (actor: Vladimír ...

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Poručík Alexander Rjepkin - picture 23
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 23

Wide shot of an officer. Lieutenant Rjepkin (actor: Vladimír Borský) is standing on the left. Dr. (actor: František Smolík) is standing behind a desk on the right with his back to Rjepkin. An Aust...

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Poručík Alexander Rjepkin - picture 24
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 24

Wide shot of a corridor. Corporal Bartoněk (actor: Jiří Vondrovič) is standing on the right with an arm in a cast and bandaged eyes. Infantryman Tlamicha (actor: Theodor Pištěk) is standing next...

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Poručík Alexander Rjepkin - picture 50
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 50

First Lieutenant Liška (actor: František Kreuzmann) is lying on a hospital bed with his leg in a cast and smoking. An Austrian officer is sitting to the right of him and peeling something. In the ba...

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Tekstit
(661 Tulokset)

Flandrisches Tagebuch 02 (Auszug aus Typoskript)
Manuscript
DFF – Deutsches Filminstitut & Filmmuseum
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Oesel genommen
Review
1917
DFF – Deutsches Filminstitut & Filmmuseum

Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...

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Die Hetze gegen die Lichtbildbühnen
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...

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Ferdinand Lassalle
Review
1918
DFF – Deutsches Filminstitut & Filmmuseum

Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...

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Rasputin. Drama in 5 Akten
Advertising material
1917
DFF – Deutsches Filminstitut & Filmmuseum

Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.

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Deutsche und feindliche Kinopolitik im Weltkriege
Article
1916
DFF – Deutsches Filminstitut & Filmmuseum

P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...

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Freiheit, Gleichheit, Brüderlichkeit !
Advertising material
1918
DFF – Deutsches Filminstitut & Filmmuseum

National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).

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Das letzte Jahr
Article
1916
DFF – Deutsches Filminstitut & Filmmuseum

Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...

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