During the war, from 1914 to 1918, a cable-operated funicular railway built by the company Etcheverry is loaded with boxes of ammunition and tested in the open countryside at ground level and over wat...
In Vincennes, the members of the Studies and Technical Experiments section of the Invention Department attend the test destruction of barbed-wire networks by a Latil tractor. In a meadow on the outski...
An account of the Battle of Verdun through a montage of archive images, to the glory of the soldiers.
Raymond Poincaré visits Russia from July 13 to 23, 1914. Arriving in a yacht, the Tsar and Raymond Poincaré inspect the troops, greet the Empress, then attend a parade of artillery, Cossacks, and th...
In 1921, following the World War I armistice, the Allies occupy a section of German territory in order to obtain war reparations. The French troops are situated in the Rhenish territory, whose first F...
In 1917, in Paris, the sidewalks in front of the movie theaters are packed. On a quieter street, two soldiers from the colonial forces negotiate with a prostitute in front of a brothel.
In 1917, during World War I, street vendors sell the contents of their carts in the streets of Paris.
On July 4, 1920, at Iéna Square in Paris, officials place flowers a the foot of Washington's statue then give speeches. Next, troops march down President Wilson Avenue and war orphans parade down Cha...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...