After five years of war and hardship, young people need a distraction from the dreary atmosphere of the devastated villages. In Aisne, the reconstruction is slow. The American Committee decides to adv...
In front of Landricourt's temporary church, a crowd attends the baptism of a bell that will replace the one destroyed during WWI. The new bell was donated by the Poetry Society of America in memory of...
In June 1919 at the Mailly military camp, tanks carry out traction tests on rough terrain while Marshal Pétain looks on.
Lieutenant Lender and Paul Heldelberg present the "Piloteur" to the Invention Department's Technical Aeronautic Committee. Using this device, which is anchored to the ground, student pilots can learn...
In a field, soldiers, officers, civilians, and Jules-Louis Breton, members of the Invention Department Committee, study different types of machine guns designed to be fired at tanks.
The Higher Invention Committee examines the Chilowsky shrapnel to increase the power of projectiles.
A group of officers and civilians attends the assembly and test-firing of the 240mm Trench Mortar.
The department of inventions, studies, and technical experiments on powders and explosives carries out test explosions off Toulon. The technical and scientific team prepares the experiment aboard a bo...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...